The problem with
poetry is
You might confuse the
author with the narrator
And refuse to see
that it’s written about you,
Not me.
For example:
Do not envision the
striped tent in my back yard
If I write about a
pair of tennis shoes standing guard
When her sandals fly
through the tent flap,
First one landing
perfect on the mat,
The other dropping
somewhere in the grass
Leather wicking up
rain
Out in the darkness
so that later she slyly asks
“Would it concern you
if I said
That someone or something has taken my shoe?”
If I wrote this,
Would you understand
that the girl in the tent is you?
Let the author
disappear, the images blur
so you can hear the
cicada chorus that drowns
A multitude of soft
and hungry sounds
A first seeing
In deepest blackness
With fingertips for
eyes
To survey a
sun-warmed landscape
Of ribs and hips and
thighs
Fingerpainting fairy
dust
On unfamiliar flesh
Like Psyche and her
secret husband
Beautiful in the
darkness
Unglimpsed, unknown.
The hushed voice that
speaks her name
May to a god belong—
If you trust mere
fingerprints
To tell you what is
true.
Will you reach for
the lamp
Or dine in the dark
When the girl in the
tent is you?

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